Thursday, March 24, 2016

Been There, Done That, Got the T-Shirt

I’m back from Lancaster…
It was a wonderful trip, filled with too much eating, spending too much money, and so much laughing.  I think if you told any non-quilting person that 52 women could be on one bus for hours on end and all get along just fine, they’d never believe you.

The vendor show was wonderful – lots of new gadgets and sewing machine feet and rulers and machines, as well as batting and thread.  As a general rule, I don’t buy fabric at vendor shows, since no guild or bus discounts are given.  I came away with some awesome long arm rulers that I’m learning to use on my domestic machine, lots of thread, and other notions.  The Lancaster quilt shops are worth the trip alone.  I came away with a suitcase worth of fabric – mainly staples.  Greens for stems and leaves, neutrals for applique backgrounds, and a couple I just had to have because they go with some of my stash.

Now for the quilts – and a little camera history.  For several years I have carried a 35-mm digital camera for photography.  I love it, it takes wonderful pictures, but when you’re hauling around shopping bags at a quilt show, the camera gets a little bulky.  So several months before the show, I purchased a Sony digital that takes terrific picture and is the size of a credit card.  I got it home, downloaded the pictures and now I can’t find where the computer put them.

But trust me the quilts were awesome.

I did manage to get a picture of my favorite quilt.  It’s called “Breaking Wind” by Peggy Kragnes.



It’s a sweet Sunbonnet Sue quilt.  And I just love Sunbonnet Sue! Sue has washed her quilts and is hanging them out to dry on a very windy day.  If you look closely at the mini-quilts, you see not only perfection….



But a mini-copy of the very quilt you’re looking at.



And even smaller versions of the mini-quilts in the mini-copy.  Truly it’s a quilt within a quilt.  Bonus prize is we finally see Sue without her bonnet, only to have her hair covering her face.

I love whimsical quilts!  They always stand out in my mind!

It was a wonderful show and probably the best news of all was that the rumor that AQS wasn’t coming back to Lancaster was just that – a rumor.  They will be back in Lancaster next year, so there is a show on the East Coast.

Meanwhile, I’m still getting things straightened out from my trip.  I came back to find I had a book case for my new sewing room and that most of the housework had been done – including laundry.  The bad news is my Crockpot (the kind with the timer) passed away in my absence. 

Have a blessed Easter season!

Love and Stitches…


Sherri

Monday, March 14, 2016

I'm Leaving on a Bus....

This is a reminder that there will be no blog from me this week.  I’m leaving for Lancaster, PA for the AQS show Wednesday morning.

Until next week!

Sherri

Thursday, March 10, 2016

Judged and Juried.....





 Ribbons and fabric…
Sounds like I’m making a little girl’s dress and not a quilt.  However, a part of quilting does involve ribbons, and that’s a  judged quilt show.

I’ve found there are two camps of quilters out there – the ones who bravely go forward and enter their quilts in the judged quilt shows and those who could  care less about what some quilt judge thinks of their quilt.

And honestly, I’ve found both groups a little snooty towards each other. 

I have sat on both side of the fence.  For years, I never even contemplated entering a judged quilt show.  Then I had someone explain to me why it was important for a quilter to enter one of these things – and while winning a ribbon is a good goal, it’s not the only one.

To prep a quilt for show requires a whole different level of expertise.  Different quilt shows require different procedures for sure and “professional quilt shows” are even more different.  If you’re entering a quilt in a show at the state or local fair, chances are the judges will be quilters, but may not be trained in judging quilts.  The same thing goes if you enter some guild shows.  Those judges will definitely be quilters and quilt teachers, but may not be trained judges.

Who are these “trained judges?” These are the men and women who have undergone the rigorous process of learning how to judge quilts from the National Association of Certified Quilt Judges.  This certified quilt judging program used to be under the auspices of the National Quilt Association, but the NQA disbanded in October  2015.  The NQA judges then started their own organization, not only to maintain the high standards the NQA originated, but also to continue to education and promote other quilters to become judges.  The process is rigorous and takes a couple (or more) years to complete.

And these judges are completely wonderful and helpful and just terrific people. All of the national, international, and in most cases, guild shows, will have one or more of these judges at their shows.

I wrote all of the above to say this:  it really isn’t all about the ribbons.  At these judged shows, the judges will give you a critique on your quilt.  Notice I said critique and not  criticism.  The critique will let you know what you’re doing right and what needs improvement.  It will help you become a better quilter.  Don’t take the comments personally, but use them to become a better quilter.  Even the quilter who takes home the “Judges’ Choice” ribbon will have items on her critique that he or she can improve.

Which is what it’s all about anyway.  And that’s why I think every quilter needs to enter a judged quilt show several times during his or her quilting career.

Prepping a quilt for a show will help you become a better quilter, too.  There is a marked difference between a “show” quilt and one you’re making to go in your home.  While with both, a quilter is selective on a pattern and color choice and piecing and appliqueing, knowing that the quilt will go in a judged show brings it to an entirely different level. 

First, the quilt needs to be “show ready.”  In other words, you can’t just take the quilt off the bed and take it to judging day.  Make sure the quilt is impeccably clean – no stains, lint, spots, pet hair, or odors.  Make sure all threads are buried and none are dangling.


Then there’s technique.  Most quilts are judged against each other in respective categories.  Read the show’s rules carefully to make sure the quilt is entered in the correct category.  And whatever technique you’ve decided to use on the quilt, make sure it’s your very best work – every stitch.  No dangling thread and no cut off points.  If you’ve hand appliqued, make sure your stitches are invisible.  If it’s machine appliqued, make sure the stitches are even and appropriately sized for the pieces.  Make sure your seams are consistent.  Pay close attention to the basics of construction and do your absolute best work at all times.
Make sure the quilt hangs straight and the edges are plumb.
Make sure it will lay flat.
Make sure the borders don’t wave.

The quilting is considered separately most of the time.  Whether the quilt is  hand quilted or machine quilted, the stitches should be consistent and even.  If you didn’t do the quilting, credit must be given to the quilter on the label and in the paperwork.  Make sure the quilt markings are gone.  If you hand quilted it, be sure that the stitches are even sized on the front and back and that the starts and stops are not visible.  If it’s machine quilted, make sure the tension is even and there aren’t obvious stops and starts – and no thread nests!


Binding is very important.  There should be no gaps, no parts where the binding is empty, corners must be sewn closed, and the size should be consistent.  The stitches should be invisible and the batting should not be seen.

All of these techniques should be paid attention to in every quilt, but even more so in a quilt that is destined for show greatness.  This is why it’s important to have a quilt judged.  Working on these techniques makes you a better quilter.  And a critique will tell you in what areas you’re excelling and the areas you need to work on.  Judges won’t have the time to tell you how to improve these areas, but you will know where to start looking. 

Aside from the techniques, the judges will also be looking at the design elements of the quilt.  Those taken into consideration usually are:
 1. Visual impact of the design – is it eye catching?
2.    Originality and creativity
3.    Color and value
4.    Balance and integration of design (scale, relationship, and arrange of quilt components, including the borders)
5.    Overall appearance
6.    General construction and workmanship
7.    Level of difficulty
8.    Special techniques (if used)
9.    Machine or hand quilting (and these are usually judged separately as each has an entirely different skill set)
10. Quilting design – is it appropriate and is the density of quilting consistent
11. Finishing – binding is secure and even, square corners with no dog ears

Before entering a show, be sure to read the rules over several times.  Make sure you’ve placed the quilt in the correct category.  If you have questions about that, ask them. I’ve seen wonderful quilts completely disregarded because they were placed in the wrong category.  Make sure the paperwork is filled out completely and accurately.  Make sure you have the correct sleeve on your quilt so that it can be hung.  If photographs are required, make sure you’ve carefully followed directions on that aspect.

Some shows are particular that the quilt has not been shown on social media.  Keep that in mind if you are contemplating making a show quilt. 

Be respectful of deadlines.  Some judged quilt shows are juried.  That means that your quilt is looked at weeks before for the show and a committee decides if it’s good enough to enter the show.  This primarily takes place in really large quilt shows like those put on by AQS, where there may be hundreds of entries and a limited show space.  Most judging is actually done a day or two before the actual show.  So read, read, read the rules and deadlines carefully to determine when you have to submit your quilt to be judged  and how  you should submit your quilt.  Some shows require that you submit it in a pillowcase with your information on it.  Some don’t.  Almost all require that the quilt have a sleeve.  Most shows use the AQS standard sleeve, but again, read through everything to make sure. 

Above all, enjoy the process.  You will meet other quilters, many who will be much better than you are.  Learn from them.  Learn from your critique – don’t take it personally.  Use it to make you a better quilter.

Because after all … that’s the goal.

Love and Stitches…


Sherri

Thursday, March 3, 2016

The Dilemma of National Quilt Shows


I am still in the middle of cleaning out my quilt room.  And I have determined either I am a reader with a quilting issue, or a quilter with a reading issue.  I have three stacks of books still setting in the middle of the room.  One stack I will keep, another stack will be donated to my guild, and the third – and largest stack – will be taken to Good Will.  Those books have nothing to do with quilting.

Soon – in thirteen days to be exact – I will be leaving with about 45 other quilters from this area to go to what is probably the last AQS show in Lancaster, PA for a while.  The AQS folks officially announced yesterday that Paducah, Kentucky will be the site of two yearly quilt shows, one in the fall and one in the spring.  Since I have heard they have also cancelled their contract with Chattanooga, this means that there is the possibility there will be no major quilt shows from them on the Eastern Seaboard.

I’m not sure how I feel about this yet.  I’ve been to Paducah twice and it’s wonderful.  I fully intend to go back again.  But AQS has a huge membership from all over the nation and the decision to locate two of the major shows in one place means that it’s difficult for a lot of members to get there.

There are  good reasons for AQS to do this.  First, Paducah is used to hosting one of the largest quilt shows in the United States. And they do it well.  Some cities do not react well to the throngs of eager quilters arriving in their city limits.  Charlotte, NC was one of them.  The show received mediocre attention at best and the city poorly promoted it. 

Paducah has it down to a science.  Homes and churches open their doors and the city rolls out the red carpet for us.

Second, I imagine that behind this knowledge is the manpower to host the show.  It takes time and muscle to pull this off.  And then there are facilities.  Once you’re at the show, you’re in walking distance of numerous quilt shops and the National Quilt Museum (which in itself is another reason to host shows in Paducah).

In short, they have their act together.  But then again, so did Lancaster, and it’s in the heart of Amish country.  That means lots of Amish, Mennonite, and other quilt shops.

It biggest disagreement I have with this decision is that it may limit quilters’ ability to get to the show.  While Paducah is located more towards the center of the United States, having several shows at other locations definitely makes it easier for lots of quilters to have the opportunity to attend an AQS show. 

However, the business woman in me also knows that it was probably the bottom line that facilitated that decision.  The National Quilting Association shuttered its organization last year, siting financial difficulties as the reason.  Hedging the bottom line is always a good idea.

I would like to encourage all quilters to try to attend a national quilt show.  I know there are lots of local quilt shows that go on in every state, but national quilt shows are a bit different. 

First, you will meet quilters from all over the place.  Trading ideas and patterns is a hoot and you learn so much.  And the best quilts and quilters are there.  So much inspiration and knowledge in one place!

Next are the vendors.  The cream of the crop are at the national shows.  All those wonderful on-line stores you order from?  Most of them have a booth at an AQS show.  Also worth mentioning are the top-of-the-line, hot-off-the-assembly-line, newest sewing machines, mid-arms, and long arms.  Add to that the fact that most of those vendors have show specials that are running the duration of the show (and they usually will ship free to your home so you don’t have to lug it back in your car), and it’s a win/win situation.

Third are the classes. Fantastic classes with nationally and internationally known teachers are available for an additional fee.  I’ve had the wonderful opportunity to take classes with the likes of Sue Nickels, Harriet Hargrave, and Cindy Williams. Somehow those teachers can take a large class and make it feel like a one-on-one sewing session.  And yes, I know that on-line classes are available through AQS, Craftsy, and other organizations.  But seeing these women and men in person pushes it to another level.  Plus they take the time to walk around the classroom and you actually get to  meet them.  It’s kind of like the red carpet at Oscar night.

And to me, the most important aspect of traveling to a national quilt show is the fellowship of the quilters.  I couldn’t drag my husband to one of these things if my life depended on it, but I can get a group of my friends together and take off to parts unknown with a GPS and a shopping list.  And fun and mayhem invariably ensue.

I would strongly advise any quilter to plan to attend at least one national quilt show in their lifetime.  It’s well worth the effort (and money).  There’s just no other experience like it.

Until next week…

Love and Stitches…

 

Sherri